No data available.
Please log in to see this content.
You have no subscription access to this content.
No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.
Autocorrelation model of periodicity coding in bullfrog auditory nerve fibers
1.K. D. Wells, “The social behavior of anuran amphibians,” Anim. Behav. 25, 666–693 (1977).
2.S. L. Boatright-Horowitz, S. S. Horowitz, and A. M. Simmons, “Patterns of vocal interactions in a bullfrog (Rana catesbeiana) chorus: preferential responding to far neighbors,” Ethology 106, 701–712 (2000).
3.M. S. Davis, “Acoustically mediated neighbor recognition in the North American bullfrog, Rana catesbeiana,” Behav. Ecol. Sociobiol. 21, 185–190 (1987).
4.C. Hainfeld, S. L. Boatright-Horowitz, S. S. Boatright-Horowitz, and A. M. Simmons, “Discrimination of phase spectra in complex sounds by the bullfrog (Rana catesbeiana),” J. Comp. Physiol. A 179, 75–87 (1996).
5.H. C. Gerhardt, “Acoustic properties used in call recognition by frogs and toads,” in The Evolution of the Amphibian Auditory System, edited by B. Fritzsch, M. J. Ryan, W. Wilczynski, T. E. Hetherington, and W. Walkowiak (Springer-Verlag, NY, 1988), pp. 455–483.
6.J. J. Schwartz and A. M. Simmons, “Encoding of a spectrally complex communication sound in the bullfrog’s auditory nerve,” J. Comp. Physiol. A 166, 489–499 (1990).
7.A. M. Simmons, G. Reese, and M. Ferragamo, “Periodicity extraction in the anuran auditory nerve. II. Phase and temporal fine-structure,” J. Acoust. Soc. Am. 93, 3374–3389 (1993).
8.P. Cariani and B. Delgutte, “Neural correlates of the pitch of complex tones. I. Pitch and pitch salience,” J. Neurophysiol. 76, 1698–1716 (1996).
9.J. Licklider, “A duplex theory of pitch perception,” Experientia 7, 128–133 (1951).
10.R. D. Patterson, “A pulse ribbon model of monaural phase perception,” J. Acoust. Soc. Am. 82, 1560–1586 (1987).
11.M. Slaney and R. Lyon, “On the importance of time—A temporal representation of sound,” in Visual Representations of Speech Signals, edited by M. Cooke, S. Beet, and M. Crawford (Wiley, NY, 1993), pp. 95–116.
12.R. Meddis and M. J. Hewitt, “Virtual pitch and phase sensitivity of a computer model of the auditory periphery. I: Pitch identification,” J. Acoust. Soc. Am. 89, 2866–2882 (1991).
13.J. Pumplin, “Low-noise noise,” J. Acoust. Soc. Am. 88, 100–104 (1985).
14.E. R. Lewis, R. A. Baird, E. L. Leverenz, and H. Koyama, “Inner ear: dye injection reveals peripheral origins of specific sensitivities,” Science 215, 1641–1643 (1982).
15.S. Shamma and D. Klein, “The case of the missing pitch templates: How harmonic templates emerge in the early auditory system,” J. Acoust. Soc. Am. 107, 2631–2644 (2000).
16.A. M. Simmons, M. I. Sanderson, and C. E. Garabedian, “Representation of waveform periodicity in the auditory midbrain of the bullfrog, Rana catesbeiana,” J. Assoc. Res. Otolaryn. 1, 2–24 (2000).
Article metrics loading...
Full text loading...