Volume 118, Issue 6, December 2005
Index of content:
- MUSIC AND MUSICAL INSTRUMENTS 
118(2005); http://dx.doi.org/10.1121/1.2109212View Description Hide Description
Four volunteer members of the chorus of Opera Australia, representing four different voice categories, wore binaural pairs of wireless microphones during a penultimate dress rehearsal on the Opera Theater stage of the Sydney Opera House. From the recordings, data were obtained on sound levels and on the self-to-other ratios (SORs). The sound levels were comparable to those found in loud music in chamber choir performance. The average SOR ranged from . Compared to chamber choirs in other types of room, the SOR values were high. On a separate occasion, the stage support parameters ST1 (early reflections) and ST2 (late reflections) were measured over the whole stage area. ST1 was about , which is typical for opera stages, and for ST2, which is unusually low. It is concluded that the SOR in the operachorus depends mostly on choir formation, which is highly variable, and that an operachorus artist generally can hear his or her own voice very well, but little of the others and of the orchestra. This was confirmed by informal listening to the recordings.