Index of content:
Volume 130, Issue 4, April 2011
- MUSIC AND MUSICAL INSTRUMENTS 
Ear and pitch segregation in Deutsch’s octave illusion persist following switch from stimulus alternation to repetition130(2011); http://dx.doi.org/10.1121/1.3631665View Description Hide Description
Deutsch’s octave illusion occurs when two tones that are spaced an octave apart are repeatedly presented in alternation; the sequence is presented to both ears simultaneously but offset by one tone, so that two dichotic chords are repeatedly presented in alternation. The most common illusory percept consists of an intermittent high tone in one ear alternating with an intermittent low tone in the other ear. The aim of this study was to investigate whether, once the illusory percept has emerged, the illusion will persist when the original sequence is followed by another sequence consisting of the repeated presentation of one of the two dichotic chords. Forty naïve subjects were tested with stimuli consisting first of a priming sequence containing dichotic octaves alternating between ears followed immediately by a test sequence consisting of a single dichotic octave presented repeatedly. The durations of the priming and test sequences were manipulated. The findings showed that the illusory percept is maintained after the switch from alternation to repetition and that the relative length of the priming and test sequences has a negligible influence on the persistence of the illusory percept.
Modal parameters of two incomplete and complete guitars differing in the bracing pattern of the soundboard130(2011); http://dx.doi.org/10.1121/1.3626194View Description Hide Description
Similarities and differences in vibrational behavior of two guitars having a symmetric Torres bracing pattern and an asymmetric pattern forming a lattice on a soundboard are investigated by means of the modal analysis technique and laser Doppler vibrometry (LDV) measurements. Instruments are investigated before and after a bridge and strings assembling (i.e., they are incomplete or complete). The bracing pattern and the absence/presence of the bridge and strings have some effect on modal frequencies and mode shapes. The bracing pattern does not affect the sequence of at least first three low frequency mode shapes of incomplete/complete instruments but affects their modal frequencies. Depending on frequency, the bridge behaves either as a rigid or a flexible structure.