Index of content:
Volume 134, Issue 1, July 2013
- MUSIC AND MUSICAL INSTRUMENTS 
134(2013); http://dx.doi.org/10.1121/1.4809649View Description Hide Description
A time-domain global modeling of a grand piano is presented. The string model includes internal losses, stiffness, and geometrical nonlinearity. The hammer-string interaction is governed by a nonlinear dissipative compression force. The soundboard is modeled as a dissipative bidimensional orthotropic Reissner–Mindlin plate where the presence of ribs and bridges is treated as local heterogeneities. The coupling between strings and soundboard at the bridge allows the transmission of both transverse and longitudinal waves to the soundboard. The soundboard is coupled to the acoustic field, whereas all other parts of the structure are supposed to be perfectly rigid. The acoustic field is bounded artificially using perfectly matched layers. The discrete form of the equations is based on original energy preserving schemes. Artificial decoupling is achieved, through the use of Schur complements and Lagrange multipliers, so that each variable of the problem can be updated separately at each time step. The capability of the model is highlighted by series of simulations in the low, medium, and high register, and through comparisons with waveforms recorded on a Steinway D piano. Its ability to account for phantom partials and precursors, consecutive to string nonlinearity and inharmonicity, is particularly emphasized.
134(2013); http://dx.doi.org/10.1121/1.4807821View Description Hide Description
This paper investigates the use of musical priors for sparse expansion of audio signals of music, on an overcomplete dual-resolution dictionary taken from the union of two orthonormal bases that can describe both transient and tonal components of a music audio signal. More specifically, chord and metrical structure information are used to build a structured model that takes into account dependencies between coefficients of the decomposition, both for the tonal and for the transient layer. The denoising task application is used to provide a proof of concept of the proposed musical priors. Several configurations of the model are analyzed. Evaluation on monophonic and complex polyphonic excerpts of real music signals shows that the proposed approach provides results whose quality measured by the signal-to-noise ratio is competitive with state-of-the-art approaches, and more coherent with the semantic content of the signal. A detailed analysis of the model in terms of sparsity and in terms of interpretability of the representation is also provided and shows that the model is capable of giving a relevant and legible representation of Western tonal music audio signals.